Booked & Scene

Riverdance 30: The New Generation

What began as a Eurovision interval act in 1994 quickly spiraled into a global cultural phenomenon, bringing Irish step dancing to stages and hearts worldwide. Now, Riverdance 30: The New Generation honors that legacy while pulsing with fresh energy, modern flair, and a cast that clearly grew up idolizing every stomp and sweep of the original. This anniversary edition feels both reverent and revolutionary—a celebration of the past and a thrilling leap into the future.

Precision with a Pulse: The Dancing That Defies Physics 

There is synchronicity, and then there is Riverdance synchronicity. Every dancer on stage delivered absolute magic: perfectly in step, impossibly fast, and brimming with joyful intensity. It’s not just the technical mastery of Irish dance that awes—it’s the togetherness, the effortless harmony that transforms footwork into literal fireworks.

From the atmospheric drama of The Countess Cathleen to the thunderous spectacle of Thunderstorm, the ethereal storytelling of Anna Livia, and of course, the titular Riverdance itself, each number builds upon the last in jaw-dropping beauty. The Finale? Forget it. Standing ovation earned and then some. This cast didn’t just perform—they invited us into their joy.

Principal Royalty: The Reign of Mairead and Fergus  

Mairead Trainor and Fergus Fitzpatrick didn’t just dance—they commanded, they enchanted, they soared. Mairead was a vision: poised, powerful, magnetic in every movement. Fergus, from his first moment on stage, radiated the mastery of someone at the pinnacle of his craft. Their chemistry? Electric. Their presence? Unshakable.

And let’s talk Trading Taps—Kenji Igus and Dharmesh Patel brought down the house. The fusion of American tap and Irish step was a joyful, rhythm-packed showcase of charisma, humor, and pure talent. The audience ate it up. These four dancers alone are worth the price of admission.

Lighting the Way: Set, Lights, and Looks that Stun  

Andrew Voller’s lighting design was a character in its own right—playing with silhouette, shadow, and spotlight in ways that elevated every moment. Alan Farquharson’s set, enhanced by Cosmo Av’s stunning motion graphics, created a world that moved as fluidly as the dancers. And oh, the costumes! Joan Bergin deserves a personal standing ovation. From sparkling modern glam to flowing traditional silhouettes, each piece deepened the storytelling and dazzled in motion.

Live Music that Moves You  

Under the direction of the ever-dynamic Mark Alfred (who also killed it on drums, percussion, and bodhrán), the live band added soul and electricity to the performance. Haley Richardson on fiddle was pure fire—grinning, glowing, and commanding the stage. Emma McPhilemy on saxophone added playful flair, while Cathal Croke’s whistles and uilleann pipes transported us straight to the green hills of Ireland. These musicians didn’t just accompany the show—they are the show.

Final Bow: A Standing Ovation From a First-Time Viewer  

Yes, I’ll admit it: I had never seen Riverdance before. And based on the gasps I received from fellow audience members upon hearing that, this fact may have shocked them more than the show itself. But I can now say, with full conviction, that this was the perfect introduction. While a few moments of vocal diction could have been clearer, that’s a small quibble in an otherwise stellar evening.

This show felt like a love letter from a generation raised on the legacy of Riverdance, eager to honor it and shape its future. And selfishly? A prompt 7:00 PM start time with intermission? That’s the kind of generosity I’ll always applaud.

So if you’re looking for something exhilarating, joyful, and filled with world-class talent this week, let Riverdance 30: The New Generation top your list. You’ll leave with your jaw on the floor and rhythm in your soul.