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As a Native American woman and part of the Chickasaw Nation out of Ada, Oklahoma, I approached Where We Belong with a blend of curiosity and caution. Any critiques I have stem from my own lived experiences as a Native woman navigating stories that aim to reflect parts of my identity. This autobiographical piece by
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Running through March 22, A Man of No Importance is a heartfelt, poignant, and beautifully staged production that marks Paul Daigneault’s final show as Artistic Director of SpeakEasy Stage—a fitting farewell for the visionary who founded the company in 1992. Based on the 1994 film, with a book by Terrence McNally, music by Stephen Flaherty,
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ART by Yasmina Reza, directed by Courtney O’Connor at Lyric Stage, is a sharp, witty exploration of friendship, taste, and the thin line between honesty and cruelty. Premiering in French in 1994, ART has since been translated into over 30 languages, proving its universal appeal and relevance. The play centers on a seemingly simple premise:
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Booked & Scene 